Music swirls around you, and delectable aromas hurl
distant memories into the immediacy of the present. Woven between the sounds
and scents are dancing bodies; lights illuminate them to reveal the faces of
your loved ones.
You remember the sensory overload of previous years’
River Town Days in Bainbridge, Georgia, and it seems only natural that this
year’s festival immediately precedes the birthday of a man without whom River
Town Days – indeed, our modern civilization – might not have been possible.
Charles Francis Brush was born March 17, 1849 on his
family’s farm – a farm not so different from those sprinkled across Bainbridge.
You can imagine the bemusement of his parents – both farmers – when seemingly
from infancy Charles showed an insatiable interest in electricity. He was a
mere twelve when he built his first static electric machine.
He graduated college when he was twenty, and
immediately went to work repaying his student loan, granted to him by his
uncle. Charles spent his days selling iron ore and his nights devising a new
dynamo – an early version of the electric generator. He was twenty-eight when
his tireless efforts earned him his first patent.
As abundant and reliable as electricity is for us
today, it’s hard to imagine what Brush’s dynamo meant for nineteenth century
Americans. At the time, electricity was so inefficient and uneconomical that it
little more than a novelty; what lighting existed was almost exclusively in the
form of kerosene lamps.
The dynamo was a great achievement, but for Charles
Brush, it was just a stepping stone. He envisioned a world lit by arc lights (a
technology similar to light bulbs). That vision required not only economical
electricity, but efficient and reliable arc lights. Once he’d completed his
dynamo, he turned his focus to arc lights, and received his first of four
patents in 1878.
Charles Brush loved his own life too much to
relegate himself to thankless toil in an obscure lab. He was eager for the
world to benefit from his genius, and wanted to be remunerated for his effort.
Thus, in 1880 he established the Brush Electric Company. It was a herculean
undertaking; he competed directly with Thomas Edison’s titan of a company,
General Electric. Nevertheless, in a few short years Brush’s arc lights
illuminated the streets of cities such as San Francisco, Montreal, Boston and
New York. His hydroelectric power plant in Minneapolis was one of the first in
the United States to generate electricity from water.
When Brush was 42, he merged his company with
General Electric and retired to the mansion he’d built in Cleveland. His home
included a private laboratory in the basement and the world’s first automatic
wind turbine generator. Even in retirement, he never stopped investigating
scientific phenomena.
Charles Brush’s inventions – such as his dynamo –
were incredible machines, but they were so much more. Those inventions were the
product of a child who was born with a singular purpose, and never let being an
iconoclast stop him from pursuing that purpose. They are the result of a young
man’s inexhaustible dedication to his work, and an industrialist’s fearless
determination to bring light to the world.
Which brings us to the article’s title. My favorite
author described machines as “the frozen form of a living intelligence.” When
you’re at the River Town Days Festival, among friends and family, you’re
surrounded by more life than you may have realized. All the machines are ideas
frozen into physical form. Thaw them out, and you’ll see the incredible living
intelligences that made those ideas – those “ice dynamos” – real.
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